Baroque Art Definition

 Before I get into the Baroque art definition, I want to make a note of my agreement with those who believe that artists like Salvador Dali are true Baroque artists. I disagree. Salvador Dali is a very influential artist, but I do not consider him a true Baroque artist because his style is clearly influenced by earlier works in the Baroque genre. I call them Renaissance art or early Baroque art.

I prefer to call my version of rococo art classical rather than Baroque. There are some similarities between early French artists, such as the famous painting by Mona Lisa, which is almost exactly like a depiction of a French palace. However, when you look at the art itself, it’s obvious to see that it was inspired by palaces in Venice. The colors are very vivid, and the style bears a striking resemblance to French tradition.

So, exactly what is Baroque? 

According to Wikipedia, the artist Rubens first used in his painting Impression, which showed a Venetian walled garden with leaves floating in the water. Later on, during the 18th century, the term became popular among European painters due to the popularity of the baroque art movement that arose during the late Baroque period. The movement was particularly marked in Europe with the rise of the French artist Jacque Chirac (also known as Chateauneuf Rosenzburg), who was a key figure in the revivalist art movement.

I agree with those who believe there is a significant difference between the modern version of baroque art and the traditional versions. There seems to be a lot more focus on the image, although I don’t think this is a bad thing. And I also think that many modern artists have a difficult time capturing the true essence of the form because they are forced to deal with an overabundance of media sources such as photographs, posters, and even computer-generated imagery. For this reason, I believe that true baroque paintings are much harder to create nowadays than they once were.

Baroque Art Characteristics

But the similarities stop there. Let’s take a look at some other baroque art characteristics that seem to be present in both the modern and traditional versions. The theme of the work, which could be anything from nature to architecture to the personification of human beings, is central to both artistic concepts. And while the appearance of the artwork in work, i.e., the colors and general stylistic aspects, can vary depending on the medium used, the basic baroque theme is always the same.

As you can see, both the modern and traditional versions of this type of painting have a central focus of attention. But in the case of baroque art, attention also moves away from the human form and towards the environment around it. If we look at the two most essential art periods of the last two thousand years (the Baroque and the Classical Periods), we can get a pretty good idea of what influenced each of them. And it is these influences that can be seen in both modern and traditional versions of this type of sculpture. Take just a few moments to let’s explore some of them.

The popularity of Michelangelo’s David (the Italian Renaissance version) can be put down to his associating the human body with Venus, the goddess of love. And when he created the Sistine Chapel, many saw the influence of that same Venus on the plasterwork and the decoration of the interior. Leonardo da Vinci followed suit and even created a whole series of statues and frescoes, including some that feature aspects of Venus or are perhaps loosely based on her creations. Michelangelo followed this in 1507 with his Last Supper painting, and there can be no doubt that the work inspired many artists who came after him. Therefore, most baroque sculptures and paintings from this era tend to feature elements that resemble the traditional Christian depictions of the Last Supper, particularly the one by Bartolome di Boniface (1495).

What is Baraque? What does Baroque mean?

In terms of baroque art and sculpture, the Vitruvian period (c 1400 – 1530) has introduced many of the contemporary ideas and styles associated with it. One of the most obvious stylistic influences on this type of artwork would be the ancient Roman art of terracotta, which was often used for roofing and wall decoration. Another significant influence would be the French painting style, especially from the Vastu philosophy of ancient Indian architecture. This kind of painting, often inspired by nature, often featured lush forests or oceanic overhangs and boat riding. Therefore, the importance of the Vitruvian school of painting can be seen in their use of vivid colors, and robust geometric designs often used to provide a background for frescoes, which were used as a solid focal point for any number of other works.

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